Copier Coller
Club:
About
Club:
11
Chi-Long Trieu
Lausanne, Ch
Infos
Club:
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#BaselGrotesk used as a key element in the New Corporate Identity for Architects and Designers @1zu33studio made by @offoffice — @chillllllllll week on #copiercollerclub
#BaselGrotesk used as a key element in the New Corporate Identity for Architects and Designers @1zu33studio made by @offoffice — @chillllllllll week on #copiercollerclub
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Letter 2, built by @juliengremaud during "Constructing Typefaces", a One-Day Workshop held at ECAL in 2013. — @chillllllllll week on #copiercollerclub
Letter 2, built by @juliengremaud during "Constructing Typefaces", a One-Day Workshop held at ECAL in 2013. — @chillllllllll week on #copiercollerclub
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4th/3rd floor signage. Sasakuza Bowl Alley. — @chillllllllll week on #copiercollerclub
4th/3rd floor signage. Sasakuza Bowl Alley. — @chillllllllll week on #copiercollerclub
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This week typefaces under development will be shown on @copier.coller.club here's a little preview of Office Grotesk! — @chillllllllll week on #copiercollerclub
This week typefaces under development will be shown on @copier.coller.club here's a little preview of Office Grotesk! — @chillllllllll week on #copiercollerclub
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#BaselTypewriter, the monospaced version of #BaselGrotesk 📐— @chillllllllll week on #copiercollerclub
#BaselTypewriter, the monospaced version of #BaselGrotesk 📐— @chillllllllll week on #copiercollerclub
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#BaselGrotesk on this nice book about Swiss architect Peter Märkli by the great design studio @spasskyfischer 🔥 — @chillllllllll week on #copiercollerclub
#BaselGrotesk on this nice book about Swiss architect Peter Märkli by the great design studio @spasskyfischer 🔥 — @chillllllllll week on #copiercollerclub
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Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
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Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
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Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
Museum Sans is 4-styles bespoke typeface developed under the creative direction of @zakgroupoffice ✨ for @mmkfrankfurt "[...] The mono-line design of Museum Sans features high-waisted capitals that reinterpret the unusual geometry of typefaces such as Venus (1907) released by Frankfurt’s Bauer Type Foundry. Museum Sans is used across the identity system and on a range of printed matter, including exhibition materials, gallery guides, ads and stationery." Picture credit: Zak Group. — @chillllllllll week on #copiercollerclub
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Aoki typeface was commissioned by @brianroettinger in 2014 as part of Steve Aoki's Neon Future visual identity. Made at @optimofoundry — @chillllllllll week on #copiercollerclub
Aoki typeface was commissioned by @brianroettinger in 2014 as part of Steve Aoki's Neon Future visual identity. Made at @optimofoundry — @chillllllllll week on #copiercollerclub
Play
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Two years ago I was invited to pitch a proposal for the Swiss Art Awards's visual communication. Unfortunately, my project didn't make it. But here is one of the many animations I did using #ApaxTypeface from @optimofoundry — @chillllllllll week on #copiercollerclub
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Poster and 3D lettering for Swiss band Fuck Love using an unreleased typeface named Woodcut. Commissioned by @slalom.music — @chillllllllll week on #copiercollerclub
Poster and 3D lettering for Swiss band Fuck Love using an unreleased typeface named Woodcut. Commissioned by @slalom.music — @chillllllllll week on #copiercollerclub
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From Skeleton to Super. The 100 styles of Basel Grotesk International overlapped. #baselgrotesk — @chillllllllll week on #copiercollerclub
From Skeleton to Super. The 100 styles of Basel Grotesk International overlapped. #baselgrotesk — @chillllllllll week on #copiercollerclub
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#BaselGrotesk has been the typeface of Uniqlo U since 2016. Although the logo changed, the typeface remained used over all printed material and online. — @chillllllllll week on #copiercollerclub
#BaselGrotesk has been the typeface of Uniqlo U since 2016. Although the logo changed, the typeface remained used over all printed material and online. — @chillllllllll week on #copiercollerclub
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#BaselGrotesk has been the typeface of Uniqlo U since 2016. Although the logo changed, the typeface remained used over all printed material and online. — @chillllllllll week on #copiercollerclub
#BaselGrotesk has been the typeface of Uniqlo U since 2016. Although the logo changed, the typeface remained used over all printed material and online. — @chillllllllll week on #copiercollerclub
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Woodcut Compressed Regular, 2013. #typeinprogress — @chillllllllll week on #copiercollerclub
Woodcut Compressed Regular, 2013. #typeinprogress — @chillllllllll week on #copiercollerclub
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Versatile and elegant, the contrasted version of #BaselGrotesk will be launched very soon at @optimofoundry #BaselClassic — @chillllllllll week on #copiercollerclub
Versatile and elegant, the contrasted version of #BaselGrotesk will be launched very soon at @optimofoundry #BaselClassic — @chillllllllll week on #copiercollerclub
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Isar Display Regular and Hairline, 2013. #typeinprogress — @chillllllllll week on #copiercollerclub
Isar Display Regular and Hairline, 2013. #typeinprogress — @chillllllllll week on #copiercollerclub