Copier Coller
Club:
About
Club:
07
ines cox
Antwerp, Be
Infos
1
POST 1 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 1 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
2
POST 1 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 1 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
3
POST 2 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 2 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
4
POST 2 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 2 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
5
POST 3 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 3 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
6
POST 3 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
POST 3 — Pleasure to be feeding you this week! My name is @ines_cox and I am an account too.
7
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
8
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
9
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
POST 4 — The past two years I was a researcher at the Royal Academy of Fine Arts in Antwerp. Tomorrow I’m launching the end result. — In the book “SAVE” I try to protagonize the volatile and seemingly unimportant steps of the digital (working) process and reveal them as printed matter. The elements which appear on the pages are the result of a process where I consciously observed, documented and imitated the aesthetics that presented themselves on my screen, all generated by the computer and its software. They are shown in an associative string of screenshots that tells a story where (graphic) characters and quotes (transcribed from the computer) become part of a particular choreography. @ines_cox
10
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
11
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
12
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 5 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
13
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
14
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
15
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
POST 6 — SAVE (336 pages, 210x280mm, 300 copies) (With a story written by Année Grøtte Viken) (With a conversation by Frédérique Gagnon and Ines Cox) (Published by Track Report) SOON! @ines_cox
16
 @general_purpose_antwerp stands for purposeful generalities. @ines_cox & @eli.a.s_
 @general_purpose_antwerp stands for purposeful generalities. @ines_cox & @eli.a.s_
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 @general_purpose_antwerp stands for purposeful generalities. @ines_cox & @eli.a.s_
 @general_purpose_antwerp stands for purposeful generalities. @ines_cox & @eli.a.s_
18
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
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@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
20
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
21
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
@general_purpose_antwerp for your universal protection. Let us now if you are interested in one of these!
22
@general_purpose_antwerp supplier of scanned meat and giant cookies
@general_purpose_antwerp supplier of scanned meat and giant cookies
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@general_purpose_antwerp supplier of scanned meat and giant cookies
@general_purpose_antwerp supplier of scanned meat and giant cookies
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@general_purpose_antwerp supplier of scanned meat and giant cookies
@general_purpose_antwerp supplier of scanned meat and giant cookies
25
POST 10 — GO, poster design for @biennale.design.graphique in Chaumont
POST 10 — GO, poster design for @biennale.design.graphique in Chaumont
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POST 10 — GO, poster design for @biennale.design.graphique in Chaumont
POST 10 — GO, poster design for @biennale.design.graphique in Chaumont
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POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
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POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
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POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
POST 11 — SAVE, save the date design for @biennale.design.graphique in Chaumont
30
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
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POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
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POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
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POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
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POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
35
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
POST 12 — SHOW NEW, (CHANGE), post design for @biennale.design.graphique in Chaumont
36
POST 13 — Getting in touch with your suggested friend / Screen at @usbynightfest
POST 13 — Getting in touch with your suggested friend / Screen at @usbynightfest
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POST 14 — a true listening friend, warmly suggested. Glasses for sale, pm @ines_cox
POST 14 — a true listening friend, warmly suggested. Glasses for sale, pm @ines_cox
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POST 14 — a true listening friend, warmly suggested. Glasses for sale, pm @ines_cox
POST 14 — a true listening friend, warmly suggested. Glasses for sale, pm @ines_cox
39
POST 15 — name card
POST 15 — name card
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POST 15 — name card
POST 15 — name card
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POST 16 — menu of the day
POST 16 — menu of the day
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POST 16 — menu of the day
POST 16 — menu of the day
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POST 16 — menu of the day
POST 16 — menu of the day
44
POST 16 — menu of the day
POST 16 — menu of the day
45
POST 17 — command of the day
POST 17 — command of the day
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POST 17 — command of the day
POST 17 — command of the day
47
POST 17 — command of the day
POST 17 — command of the day
48
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
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POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
50
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
51
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
52
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
53
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE
54
POST 18 — FEED, titles from all the elements appearing in SAVE
POST 18 — FEED, titles from all the elements appearing in SAVE